The story of the artists, rebels, and bohemians who came to New York’s Greenwich Village over many decades, and changed the face of American culture through their art and politics. The film portrays important political and social movements that started in the Village - such as the first interracial jazz club, the earliest Socialist newspapers from before World War I, and the Stonewall rebellion that sparked gay liberation.

A struggling writer dumps a pregnant dancer for a well-off socialite. Later, he realizes his true feelings and opts to make amends.

Explores the music scene in Greenwich Village, New York in the '60s and early '70s. The film highlights some of the finest singer/songwriters of the day.

http://www.youtube.com/watch?v=dq7GMJH9qFc 4 min

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

Spring 1939. The bishop of Banska Bystrica learns that the Antichrist was born in the village of Piargy, which had been buried by an avalanche a few days earlier.

A down-on-her luck prostitute embarks on a wild adventure that puts her in contact with the Mafia.

A surrealistic musical about the love between a woman and a talking photocopier in a patriarchal slave society. Beatrice is one of many women who work hard under the unfair boss, Mr Kättström. As time goes by, the love between Beatrice and the photocopier grows and together they decide to fight the injustices at their workplace.

An unexperienced robber brings his obnoxious best friend along for his last job. But, as the night grows colder they soon realize they are in for a lot more than they bargained for. Can they handle the truth?